Garland,Tx---
Still at home. I sat down with my bubble-gum chewing, iPhone using, Cheerleading sister and watched Britney: For the Record, the MTV documentary on the resurrection of the career of one Miss Britney Spears. When I saw the promo for this a week ago the first thought in my mind was "Ok, here's another 20/20 special for a celebrity to try and humanize themselves...I'll watch it."
I was surprised with its honesty. The documentary followed Miss Spears for two months as she filmed videos for her new album and dealt with the constant hoard of paparazzi that follows her on a daily basis. Miss Spears is presented as a human caught in a world of flashing bulbs and screaming crowds, Alice in a heavy metal Wonderland.
While it is most likely to serve as a ploy to get people to buy her record, as someone who has never given her more than a cursory or stranded listen at a party, I found it oddly eye opening. She didn't plead to be left alone or even try that hard to avoid the cameras. Instead we find someone who has, begrudgingly, excepted that the cameras and screaming are simply apart of her life. I find this a sad commentary on the state of culture in this country.
I know we are supposed to view celebrities as these spoiled sub-humans who are oblivious to pain and suffering. We are told that whenever a celebrity whines or cracks under the strain of their fame that they should just shut up and barrel through it. Well, Miss Spears doesn't take any time to complain, nor does she seek the viewer's sympathy at any part of the doc, since it mostly deals with her spending time working and resurrecting her career.
Here is a woman, not a celebrity, but a person who was nearly destroyed by her own fame, by the zombies with cameras that made it their mission to destroy her life.
Celebrity culture is one of more disgusting things about Contemporary America. Our obsessions and projections upon the famous, turning them into these idols to be worshiped, feared, loathed and destroyed, is simply a cop out so that we don't have to deal with our own problems, instead placing them upon the shoulders of the famous. The sooner we begin to treat celebrities like normal people, the sooner we can move beyond our own petty insecurities and inabilities to handle this post (post) modern world.
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I'll admit to having watched it as well--mostly because I am a guilty schadenfreudist, and the last decade of Spears' life has been a slow-motion train wreck.
I reached, however, different conclusions. Two things seem true to me:
1) Spears' tearful, resigned description of her difficult life may be an insincere ploy to sell her "resurrection" narrative (and her image, her music, and her brands of perfume--the last of which was heavily advertised during commercial breaks).
2) It doesn't matter if Spears' tearful, resigned description of her difficult life is sincere, because our culture is exposed to insincerity so much that it has become impossible for us to distinguish the sincere from the profit-motivated. As depressing and frustrating as the first conclusion seems, I regard this as the worse of the two. It reveals a terrifying social sickness: a disconnect (of whatever source) between human beings that is so deep as to make impossible an act as simple and necessary as communication about feelings and problems. (Paging Jedediah Purdy.) Britney as a faker and a huckster bothers me less than Britney as a tortured soul on a fruitless quest to prove her torturedness to skeptical observers. Imagine, for a moment, that you are in her shoes. And then recall that you both share the same sick culture of insincerity. So, in a way, you are in her shoes.
Oh, and one more conclusion: however sick she may be "on the inside," Britney will continue to make bank like Mr. Moneybags. If her actions are any guide, that temporal wealth more than makes up for her slow, spiritual death. Alternatively, I'm wrong, and there was nothing "spiritual" in Ms. Spears (or any of us) at the start.
The GW Patriot: Where Hunter blogs about things he sees on television.
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ANALYSIS OF "BRITNEY: FOR THE RECORD," PART II: Coming Soon
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